Perry Rhodan Infotransmitter
In Memoriam Walter Ernsting/Clark Darlton (February 2005)
A true Terran has embarked on his final voyage to the stars …
This special edition of Infotransmitter, the official newsletter on “Perry Rhodan”®, the world’s greatest science fiction series, is dedicated to “Perry Rhodan” co-founder Walter Ernsting, who left us in the early hours of January 15, 2005.
Writing as Clark Darlton, Walter Ernsting taught us to look up into the night sky and dream, and to ask ourselves: What if…? And when we look closely enough, we will see a glimpse of his mischievous smile amidst the ocean of stars.
Dear
Walter, we join your family in mourning your passing. Please give our
best to Karl-Herbert, Johnny, Willi, Peter, Wolfpeter, Rainer, and all
others who have already returned home to the stardust.
“Perry Rhodan”® online:
www.Perry-Rhodan.us (English)
www.Perry-Rhodan.net (German).
—A service of Pabel-Moewig Verlag KG, Rastatt, Germany.
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 An Obituary
“ Perry Rhodan” co-founder Walter Ernsting
has been called the “father of German science fiction,” the most
important proponent of the genre in the German language. Most of his
readers came to appreciate and love him by his pen name Clark Darlton.
Ernsting passed away in the early morning hours of January 15, 2005, at
a hospital in Salzburg, Austria. He was laid to rest in Salzburg on
January 21, 2005, at a ceremony attended by family members, friends,
and fans.
“Walter Ernsting changed my life,” said Klaus N. Frick, editor in chief for “Perry Rhodan” at Pabel-Moewig.
“Without him and his work, I wouldn’t be the person I am today. As a
young reader and fan, I admired him. In my work as editor, I’ve come to
deeply appreciate his humor, his spirit, and his positive outlook on
life. My colleagues and I will miss Walter very much.”
Ernsting
was a child of the Second World War. Born in Coblenz, Germany, on June
13, 1920, Ernsting spent his childhood and youth in Coblenz,
Lüdenscheid, Essen, and Bonn. Caught up in the wheels of the Nazi
dictatorship, which he vehemently opposed, he was pressed into
compulsory labor and military service during the Nazi era. First he was
stationed in Norway, then in Russia. As a self-confident young man who
couldn’t care less about the ideology of the Third Reich, he repeatedly
got into trouble, finding himself court-martialed or under arrest.
Following
the collapse of the eastern front, Ernsting became a prisoner of war in
the Soviet Union for several years, ending up in Karaganda in Siberia—a
major turning point in his life. While suffering severe health problems
during his years of captivity, he coped with life in the Russian POW
camps by dreaming of journeying to the stars and inventing stories of
his own.
Finally
returning home in 1950, Ernsting scraped a living as an interpreter for
the British occupying forces and then made a discovery that would
change his life: American science fiction pulp magazines with gaudily
colored covers that were being sold to the soldiers on base. Ernsting
was fascinated by these new worlds—and he took several of these
magazines along to an appointment with the Pabel publishing house in
Rastatt.
Pabel
hired him as the editor for its “UTOPIA-Grossband” series, at the time
the best literary science fiction series available in German. The end
had come for the traditional German futuristic novel in the style of a
Hans Dominik. The future belonged to science fiction. In the age of
“Star Wars,” space adventures are now taken for granted. In the rubble
heaps of the postwar period, they caused a sensation, a literary big
bang. Consequently, “UTOPIA-Grossband” not only popularized “golden
age” American and British science fiction among German readers but also
inspired new generations of German genre writers.
With
more and more readers contacting him directly, Ernsting also introduced
the concept of a readers’ letters department in his publications. This
led to the founding of the Science Fiction Club Deutschland e.V.
in 1955, the first organization for friends of this still quite new
literary genre. Ernsting himself became the editor of “Andromeda,” the
first German science fiction fanzine.
Meanwhile,
translating and editing was not enough for Ernsting. He also wanted to
write. But his publishing company turned him down. After all, who would
really want to read German authors? Unperturbed, Ernsting resorted to a
ruse: He submitted the translation of a text titled “We Against The
Future” by a certain Clark Darlton. The “translation” was promptly
released a few months later as UFO am Nachthimmel [“UFOs in the Night Sky”]. Clark Darlton, of course, was none other than Walter Ernsting.
More
Clark Darlton novels were released. The readers appreciated them, even
though—or perhaps just because—they went against science fiction
stereotypes: Ernsting couldn’t care less about enormous futuristic
technologies, which to him were only a means to an end that enabled him
to tell his stories unfettered by the conventions of the present.
Ernsting created characters that were made of flesh and blood, and he
also pondered the nature of time—a topic that was to keep him in its
grip throughout his career. He despised blind submission to authority
almost as much as he rejected violence. The years of war and captivity
had turned him into a pacifist.
Then, in the early 1960’s, Ernsting and fellow science fiction writer Karl-Herbert Scheer
presented the concept for a new literary science fiction series to the
Moewig publishing company in Munich. It would feature an American
astronaut who sets foot on the moon in 1971 and encounters the
survivors of a marooned extraterrestrial spaceship. His name: Perry Rhodan.
Launched in September 1961 in a weekly dime-novel booklet format, “ Perry Rhodan”
exceeded all expectations. Everyone had initially hoped for 30 weekly
installments, at most 50. Instead, read by millions of fans around the
world, “ Perry Rhodan”
continues to this day as the world’s most successful space adventure
series, with more than 2250 weekly issues released so far. A “Perry
Rhodan” television miniseries is in the early stages of production by an international team.
Ernsting himself contributed 192 of the weekly issues, and he also wrote 32 issues of the related “ Atlan” series and 24 of over 400 “Perry Rhodan” paperbacks,
which features additional self-contained stories set in the “Perry
Rhodan” universe. One of Ernsting’s characters for “Perry Rhodan,” Pucky the “mousebeaver,” has become one of the most popular extraterrestrials in the science fiction genre.
Ernsting’s personal friendship with “Mr. Science Fiction” himself, U.S. science fiction editor and agent Forry J Ackerman,
led to the publication of a U.S. edition of “Perry Rhodan” by Ace Books
from the late 1960’s until well into the 1970’s, with Ackerman as
editor. International editions have also appeared in the United
Kingdom, Belgium, Finland, Italy, and other European countries as well
as around the world, with local language editions currently being
published in France, Japan, the Netherlands, and Brazil—and most
recently, China. According to The Encyclopedia of Science Fiction
edited by John Clute and Peter Nichols: “When all the translations are
included, PR has had a readership higher than anything else in sf.”
Meanwhile,
Ernsting continued to have a hand in bringing American and British
science fiction to Germany. From 1965 to 1970, he edited a German
edition of Galaxy that featured translations of selections from the U.S. original. He was assisted by a young fan named Thomas Schlück,
who would go on to build one of the biggest literary agencies currently
representing American, British, and other international genre writers
in Germany.
In 1976, Bantam Books published Ernsting’s The Day The Gods Died, Ernsting’s only U.S. book publication outside of “Perry Rhodan.” Ernsting had become friends with Erich von Däniken in the late 1960’s and wrote The Day The Gods Died as a fictionalization of von Däniken’s ancient astronaut theories. The German original of The Day The Gods Died was released in 1979.
Ernsting’s greatest legacy to science fiction is “ Perry Rhodan,”
and he certainly left his mark on the series. “Perry Rhodan”’s pacifist
trait, and its positive vision of the future that sees our own present
times transformed into a better world—all this goes back to Ernsting’s
influence. With Pucky, Ernsting created a character that gives even Perry Rhodan himself a run for his money in the popularity department. To a certain extent, Pucky
is the writer’s alter ego, a mischievous jokester who is always up to
pranks but then acts more humane than most humans can claim for
themselves. In short, a sensitive and compassionate subversive with a
great sense of humor, just like Ernsting himself.
Boundless
imagination, compelling humanitarianism, and an upbeat view toward the
future are all hallmarks of Clark Darlton’s body of work. His writing
describes a future for humankind unfettered by borders based on
nationality and religion, and he dreamt of peaceful co-existence
between humans and extraterrestrials.
Ernsting’s
readers remained loyal to him and his body of work throughout the
decades. His work as a writer was not the only reason. With his warm
manner, his openness to other people, and his sense of humor, Walter
Ernsting alias Clark Darlton captivated not just the friends of
science fiction. His public appearances always generated much
excitement and enthusiasm.
Ernsting
slowly began to withdraw from public life in the 1980’s, living for a
while in Ireland. In the 1990’s, with his health taking a turn for the
worse, he retired as a professional writer and settled in Salzburg to
be closer to his family. His fans were able to cheer him in person one
last time at the 1991 Perry Rhodan WorldCon in Karlsruhe. After that,
he continued to keep in touch with the world until shortly before his
death, corresponding by letter and e-mail, and enjoying visits by fans
and professional colleagues.
During
his final years, his health continued to deteriorate, which was also a
long-term effect of his experiences on the battlefield and as a POW. In
the end, he had to confine his movements to a two-room apartment on the
outskirts of Salzburg.
Nevertheless,
remaining true to himself, “good old Walter” maintained his positive
outlook until the end. When he spoke, his eyes sparkled with humor and
a sense of adventure, belying all hardships. In spite of all sadness
and mourning, we will always remember him for his unfailing warmth and
optimism.
The “Perry Rhodan” Team
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 By James Reasoner
January
15, 2005 - Received word tonight via the Space Opera Yahoo! group that
Walter Ernsting, co-creator of the long-running German science fiction
series Perry Rhodan, passed away earlier today. Using his pseudonym
Clark Darlton, Ernsting wrote many of Perry Rhodan’s early novels. The
Perry Rhodan series started in Germany in 1961 and is still being
published. According to the official website for the series, over 3,000
Rhodan novels have been published, and evidently the series is still
going strong.
Probably,
though, most of the people reading this blog know Perry Rhodan, if at
all, from the American reprints published in the Sixties and Seventies
by Ace Books. The covers, at least starting out, were by Gray Morrow
and were certainly eye-catching. I bought the first three volumes in
the reprint series when they came out and read through them quickly.
Each book reprinted two of the German novels, which were about 25,000
to 30,000 words each. The editor of the series was Forrest J Ackerman,
and I believe the translations were done by his wife Wendayne. Though
the hero was an American astronaut, no real attempt was made to
"Americanize" the prose, so the result was an odd, sometimes awkward
style. That didn't really matter to me then. The stories, which
concerned the discovery by American astronauts of the remnants of an
alien civilization on the moon, quickly turned into the sort of vast,
sweeping, world-destroying space opera that I ate up with a spoon.
But
after reading the first few volumes, I sort of drifted away from the
series. After all, there were a lot of other things being published
around that time that I wanted to read: Doc Savage, Conan, the Saint,
hordes of comic books . . . and that only scratched the surface. Perry
Rhodan got left behind.
Some
years later, I decided on a whim to collect the rest of the Ace series.
It wasn't too hard, and soon I had hunted down all the English-language
Perry Rhodan books, over a hundred in all. I even had the
subscription-only chapbook editions published after Ace dropped the
series. I skimmed through the ones I had read before and then started
reading the others in order. I made it about a fourth of the way
through the series before I stopped. It wasn't a conscious decision; I
just didn't get around to reading any more of them. But I still have
all the books, and sometimes when I see them on the shelves, I think
that I'm going to read some more of them . . . one of these days.
So rest in peace, Walter Ernsting. I enjoyed your work, and so did a lot of other people.
Originally posted at http://jamesreasoner.blogspot.com/. |
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By Joseph T. Norris, Jr.
January
15, 2005 - Back in 1969, while a Third Year Man at the University of
Virginia, I discovered the first edition of ACE's "Perry Rhodan" - "The
Science Fiction Sensation of Europe! 70 Million Copies Sold!".
Upon
discovering Edgar Rice Burroughs' Tarzan, John Carter of Mars, and
Carson Napier of Venus as a "too precocious" child, I read every
science fiction book I could find, anytime and anywhere. I would sit in
top of a tall tree while reading, hiding from the terror tactics of my
brother and sister.
Discovering
K. H. Scheer and Walter Ernsting's creation was an amazing event for
me, the start of a lifelong love affair. I stopped spending money on
trivial items and economized just to be able to spend every penny I had
on issue after issue of Perry Rhodan.
I
suppose then was a simpler time compared to today's world. However,
Ernsting's creation was published during the days of the Apollo flights
when we had our eyes on traveling to the moon and beyond.
Perry
discovered something of great potential on his first trip to the moon.
He and his friends made our own world a better place and then went on
to help others who chose to make their lives better. Perry had
adventures in the universe and others, through time and other
dimensions. Of course, there were the usual bad guys to make the
stories pull the reader into it. Ernsting and his fellow contributors
put each reader in the middle of the conflicts, the love and the laughs
that made each issue a real possibility.
Just
as “Star Trek” creator Gene Roddenberry did, Ernsting and his
co-writers saw a better future for everyone; a future where everyone
was empowered to rise above what we accept as normal, to be "better
than we are", if you will excuse the trite phrase.
After
over 100 issues by ACE, Perry Rhodan seemed to vanish. I have since
learned that there was at least one attempt to pull Perry back into our
reality in the late 90's; however, that was apparently unsuccessful.
In
the meantime, in Germany, Perry Rhodan and his companions gained more
and more visibility, with "Hefte" issues being published weekly,
in the meantime more than 2 billion issues have been printed. Since I
don't read German, I had to exist on a synopsis or two as they appeared
in one or another Perry Rhodan web site.
Since
becoming bed-ridden and "physically challenged," I have continued my
search for translations of Ernsting and the other writers who have
taken up the mission.
Just this past year, I discovered a group of Perry Rhodan fans (Team Rhodan International) http://members.rogers.com/perry-rhodan-ca/,
fans of Walter Ernsting, who are making an attempt to translate and
publish the latest adventures of Perry Rhodan and his friend Atlan, the
immortal and solitary survivor of time.
This
group has become truly international, with members in three continents;
each member is freely dedicating their own time and efforts to bring
quality translations of the Perry Rhodan adventures back to America,
where they hope he will be welcomed, again. Additionally, there are fan
groups in many countries working toward the same goal for their own
countries. Just run "Perry Rhodan" through your search engine and see
how many groups there are, all over the world. (Japan, Brazil, Czech
Republic, Holland, China, France ...)
Walter
Ernsting was part of a team that gave the world hope, as well as
entertainment. As a young man going into the military, I laughed and
dreamed as I read and followed Perry through his adventures. As I
re-read those aging volumes as "older" man, I still laugh at the antics
of Perry and his team mates and wonder whatever happened to our
innocent dreams. Walter's stories still inspire.
I
humbly join Walter's family and friends in regretting his passing on
from this world and wish happiness to everyone who has enjoyed Walter's
work. As so many writers, his legacy lives on and thrives. Ad astra,
Walter. Good journey and thanks for charting a way to the stars for us
dreamers, no matter how old we are!
Thank you for the opportunity to tell others what Walter and Perry have meant, and continue to mean to me.
With my warmest regards,
Joseph T. Norris, Jr., Lt. Col., USAF (Retired)
Originally posted at http://jamesreasoner.blogspot.com/. |
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 By Dwight R. Decker
January
16, 2005 - Walter Ernsting (aka Clark Darlton) wrote with heart. Some
of the other Perry Rhodan writers seemed more interested in the nuts
and bolts of their super-technology and were very serious about it all,
but Ernsting wrote more from the human side, with a sense of humor. If
he's called "the father of Gucky" (or Pucky), it's hardly surprising.
Now,
this appreciation should be about him and not me. But I never met
Ernsting in person and only really knew him from his books and stories,
and from the very enlightening biography published in German not too
long ago. So I can really only talk about what his work meant to me.
Actually,
I probably could have met him... I spent my junior year in college in
Salzburg, Austria, where he lived, during the 1971/1972 school year. I
was just getting into PR then, had certainly read some of his stories,
and knew at least vaguely that one of the PR authors lived in town. I
think I just felt reluctant to bother the fellow. Surely a big
important writer had better things to do than receive a visit from an
obscure college student fan. A year later, after getting back to the
US, I sent him a fan letter written in probably fairly cracked German,
gushing enthusiastically over his paperback PR novel, Flight of the
Millionaires, and he was kind enough to send me a letter back thanking
me for the compliments. Since I had mentioned having been in Salzburg
the year before in my letter, he remarked that it was a shame we hadn't
gotten together for a chat.
That
was the extent of my personal contact with him, though I would go on to
translate a number of his PR novelettes for the American series. He was
definitely my favorite author to work on, simply because he didn't go
overboard on the technical details of the background super-science and
instead just told interesting, often funny stories. In later years, as
I picked up books in the paperback PR novel series (separate one-off
novels apart from the magazine continuity), my first goal was to get
every one of those that he had written, simply because I thought they
were the most fun to read. (I think I'm only missing one now...)
Like
any other writer, his work had its ups and downs. For my taste, the
humor in some of his later output seemed to verge on the silly. Some of
his non-PR stories took von Däniken and the occult way too seriously.
But again, that was for my taste. When he was at his best, he turned
out very enjoyable stories that I still like to reread now and then.
I
haven't mentioned his importance as a founding father of German
science-fiction fandom in the post-war years, or in getting the German
science-fiction publishing genre off the ground. His biography tells
that story. For me, he was my favorite German-language science-fiction
writer, who gave me a lot of reading pleasure over the years, not to
mention helping to me learn German by giving me a reason to learn it.
And
so I was very sorry to hear that he had left us. I never met him, but
somehow, after reading so much of his work over the years, I did feel
as though I knew him, and that he had been a friend. |
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 January 17, 2005 – “Perry Rhodan” founding father Walter Ernsting alias Clark Darlton passed away on January 15, 2005. The Munich Perry Rhodan Roundtable, to which Walter had maintained close ties, has now put up an electronic book of condolences on the Internet, to provide a place where Walter can be remembered and good-byes can be posted.
Contributions
to the book of condolences have already been pouring in from around the
world, moving Walter’s son Robert Ernsting to say today: “I am
overwhelmed by the huge response. My sister and I are reading your
words with tears in our eyes.”
The book of condolences can be found here. |
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 By Klaus N. Frick
January 21, 2005 – A sad event is scheduled for this Friday morning at the cemetery of the Salzburg suburb of Maxglan: Walter Ernsting, whom hundreds of thousands of readers know and love under his pen name Clark Darlton, will be laid to rest. Many German and Austrian fans are expected as well as writer colleagues and old friends.
Pabel-Moewig will be represented by Walter A. Fuchs, our managing director, as well as Sabine Kropp and Klaus Bollhöfener of the “Perry Rhodan” department. Regrettably I won’t be able to attend the memorial service and accompany Walter Ernsting on his final journey.
The
reason for this lies in Wolfenbüttel. This county seat within the state
of Lower Saxony is not only the home of one of Germany’s most
fascinating libraries, the Herzog-August-Bibliothek, but also of the Bundesakademie für kulturelle Bilding
[Federal Academy for Cultural Education]. And this is where those
seminars for budding science fiction writers have been held since 1995
for which I’ve been serving as a faculty member.
Andreas Eschbach and I have been planning something very special for the program’s 10th
anniversary. The theme is: “Together with the 17 participants, we will
write an entire science fiction novel—in one weekend!” To ensure that
the project will run just as we have been planning it, PCs, printers,
partition walls, and many other tools have already been installed at
the castle in Wolfenbüttel where the seminar will take place. For
Andreas and me, the whole thing will start on Thursday, and the novel
is to be completed by Sunday evening.
At
first I had considered canceling the seminar in order to travel to
Salzburg. After much discussion at the office but also with the
Ernsting family—and especially with Walter’s son Robert Ernsting—I’ve
now decided to make the trip to Wolfenbüttel after all.
In the end, this seminar continues a legacy bestowed on us by Walter Ernsting.
As far back as the early 1950’s, he was supporting up-and-coming
writers, launching fanzines, and helping young authors with their first
tentative steps. I’m certain that he would be interested in our seminar
if he were able to come to it. And I believe that with Wolfenbüttel, we
are acting within a tradition that he founded.
Nevertheless,
I deeply regret that I can’t be in Salzburg. We will be thinking about
him, that’s for sure. And the spaceship featured in our collective
novel will bear the name Clark Darlton … |
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 By Sabine Kropp
January 26, 2005 – Founding father of the “Perry Rhodan” series and science fiction pioneer Walter Ernsting alias Clark Darlton
passed away on January 15, 2005, in Salzburg following prolonged and
severe illness. Many friends and fans came to Salzburg-Maxglan to
attend his memorial service and to bid him farewell.
Upon arriving at the Maxglan Cemetery shortly before 10 am on Friday the 21st and entering the memorial hall, the first thing I saw was the coffin among a glorious sea of flowers.
The
memorial service began just after 10 am. Mr. Hülsner, who had been
asked to speak on behalf of the Ernsting family, did the introduction.
He was followed at the lectern by Wolfgang Zenker of the Vienna Perry Rhodan roundtable. Gustav Gaisbauer of the First German Fantasy Club, who was Walter’s most recent literary agent, also said good-bye with a few personal words.
And
in between all those words of comfort by various speakers, Walter’s
favorite tunes were played, such as “When The Saints Go Marching In” or
“New Orleans Function” by Louis Armstrong and also Eric Clapton’s
“Tears In Heaven,” just to name a few.
After
the memorial service, we gathered at a nearby restaurant and talked
about Walter for a long time. The group included representatives of the
Munich and Vienna Perry Rhodan roundtables, Herbert Thiery, who had come on behalf of the Science Fiction Club Deutschland, and Waldemar Kumming and Axel Melhardt, representing the first generation of fans. Inge Mahn and husband and Ernst Vlcek and wife were there as writer colleagues and longtime acquaintances, and well as Michael Marcus Thurner and Reinhard Habeck as writers of the youngest generation.
All in all, I’m certain that Walter would have enjoyed this farewell gathering that wasn’t dominated solely by sadness. |
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 "Perry Rhodan" on the Radio
February 3, 2005 – A report on Walter Ernsting will be included in the February 4, 2005, program of CROPfm, which is broadcasted live by Radio Helsinki/Verein Freies Radio Steiermark based in Graz, Austria. A regular feature of CROPfm is a segment called “ Big Brother News,” the 40th edition of which will cover Walter Ernsting.
Radio Helsinki/Verein Freies Radio Steiermark
can be received over the air within the Steiermark region of Austria
but is also streamed live on the Internet. “Big Brother News” programs
are archived at Big Brother News web site. The Walter Ernsting program will include contributions by Johnny Bruck (recorded in the 1980’s), Franz Rottensteiner, and Axel Mehlhardt.
To access the page on the Walter Ernsting program, go to Big Brother News,
then scroll down and click on the “zur Übersicht aller aktuellen BIG
BROTHER NEWS-Beiträge” link, then click on the link next to “BBN #40 -
4. 2. 2005” titled “Science-fiction-Pionier Walter Ernsting gestorben
“The audio archives can be found underneath “AUDIO ABSPIELEN” (which
also includes a downloadable MP3 version). |
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 Walter Ernsting: My Guest Book—The Early Years of Science Fiction in Germany
June 10, 2003 - The volume on hand really is more than just a fan publication: Walter Ernsting: Mein Gästebuch – die ersten Jahre der Science Fiction in Deutschland ["Walter Ernsting: My Guest Book—The Early Years of Science Fiction in Germany"]. Future Perry Rhodan author Clark Darlton,
whose real name is Walter Ernsting, was born in 1920. In 1950, he had
already become involved with promoting science fiction in Germany. As a
translator, literary agent, editor, and later on also as a writer, he
saw to it that the then unknown genre developed the significance that
it has today.
During
the 1950’s and 1960’s, Walter Ernsting lived in the Bavarian town of
Irschenberg, where visitors were always welcome at his home. Coming not
just from German-speaking backgrounds, the fans and professional
writers who visited him left behind their traces not only in his pantry
but also in his guest book, which therefore became a unique document of
that early era in sf.
Well-known
publisher Jörg Weigand began to prepare this guest book for publication
in collaboration with Karla Wolff. Each page was scanned and are
reproduced in the volume on hand. As hardly anyone nowadays could
decipher the entries, all handwritten passages were transcribed and,
moreover, complemented with current commentaries by Walter Ernsting.
Some
entries evoke a smile, others a confused frown—not all of the
witticisms work forty or fifty years later. Nevertheless, the Walter
Ernsting Guest Book is a veritable treasure trove for anyone who is
interested in the early era of sf or even experienced it first-hand.
Naturally, early traces of the Perry Rhodan series can also be found
among the 180 pages, which are generously laid out in a letter-size
format.
This
extensive work has been published as volume 48 of the secondary
literature series of the Erster Deutscher Fantasy Club e.V. (First
German Fantasy Club). It really is nicely put together and also very
well designed. We consider the price of 19.90 Euros to be completely
justified by the effort that went into this production. Information
about the publication can be obtained from the EDFC e.V. at Postfach 13
71, 94003 Passau, or online at www.edfc.de. The publication can be ordered directly through the Transgalaxis mail order service ( www.transgalaxis.de). |
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 An Editor’s Log Entry
By Klaus N. Frick
September 15, 2004 – These days Walter Ernsting
resides in a small universe of his own: a two-room apartment on the
edge of Salzburg, with a view to the Alps that rise up in the distance
at the end of fields of resplendent green meadows. At 84 years of age,
the man who together with Karl-Herbert Scheer
brought the Perry Rhodan series to life more than 40 years ago, and who
under his pen name Clark Darlton thrust open the doors to a fantastic
cosmos for countless German-speaking fans of science fiction, is frail
in health and must spend many hours each day in bed.
Nevertheless,
Walter has not lost his sense of humor. This was quite clear once again
when I had an opportunity to visit him at his home in Salzburg in early
September 2004. His son Robert Ernsting, who handles his business
matters, met me at the train station. Later on we were all sitting in
Walter’s living room, discussing Perry Rhodan and politics, the series’
past and acquaintances we have in common. Walter regaled us with
anecdotes from his treasure trove of experiences and was very happy
when I conveyed good wishes from fellow authors and from the colleagues
at the publishing company. He continues to read the Perry Rhodan
series, though not every issue. Sometime that’s simply because of the
typeface: Reading is difficult, especially when a novel is printed in a
small typeface. “Why don’t you make a large-print edition?” he
suggested, “that would be easier for me.” As he said that, his eyes
were sparkling with the same energy as in past years whenever I spoke
with Walter.
We
parted in friendship and promised each other to step up efforts to keep
in touch. Incidentally, he continues to enjoy receiving letters and
post cards very much, though it’s difficult for him to respond right
away. “When I’m writing a letter, it’s very tiring, and in the end, no
one can make out what I wrote,”
Walter
was especially happy about the greetings from the fans who had
“immortalized” themselves on the Galactic Forum bulletin board at our Perry Rhodan web site—his
son Robert had printed them out and shown them to him. This “elemental
force” in German science fiction—and who else would deserve such a
designation?—remains as active and as sharp as ever. |
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 Planetoid named after "Perry Rhodan" author
July 14, 2003 - At the 3rd
OldieCon held in Unterwoessen from June 27 to 29, 2003, Dr. Gert Zech,
an astronomer at the Institute of Astronomy in Heidelberg, announced
that planetoid 15265, discovered by Dr. Lutz D. Schmadel on October 12,
1990, has been named after German science fiction author Walter Ernsting
(a/k/a Clark Darlton). A co-founder of the Perry Rhodan series,
Ernsting is the first German language sf writer to be honored in this
manner. With this mark of respect, he joins such giants of sf
literature as Isaac Asimov (asteroid 5020), Robert A. Heinlein
(asteroid 6371), and H. G. Wells (asteroid 1721).
Walter Ernsting is spending his retirement years in Salzburg and was overjoyed and moved upon hearing about this tribute on July 2, 2003.
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About Pabel-Moewig Verlag KG:
Pabel-Moewig Verlag KG (www.vpm.de), a wholly-owned subsidiary of Heinrich Bauer Verlag (www.hbv.de),
is a book and magazine publisher and a media printing services provider
in Rastatt, Germany. Pabel-Moewig currently publishes more than 40
popular magazine titles and also releases around 100 new book titles
each year. Among Pabel-Moewig’s flagship properties is “Perry Rhodan”® (www.perry-rhodan.us),
a space adventure series that has had millions of readers around the
world. Continuously published in Germany since 1961, “Perry Rhodan” has
also been released internationally in several local language editions.
Masthead
The Perry Rhodan InfoTransmitter is a free e-mail and Internet publication of Pabel-Moewig Verlag KG, Rastatt, Germany
Postal Address:
Pabel-Moewig Verlag KG
PERRY RHODAN-Kommunikation
Postfach 23 52
D-76413 Rastatt
Germany
E-Mail:
newsletter@Perry-Rhodan.net
Internet:
www.Perry-Rhodan.net (German)
www.Perry-Rhodan.us (English)
Managing Editor: Miriam Hofheinz (v.i.S.d.P)
English Translation: Arnold Winter
We have no control over the design and contents of any third-party web sites and web pages. In accordance
with a decision of the Hamburg (Germany) District Court issued on May 12, 1998, we disclaim all liability
for any views, opinions, and contents found in any linked web pages.
Wir haben keinen Einfluss auf die Gestaltung und die Inhalte fremder Seiten. Gemäß eines Urteils des Landgerichts
Hamburg vom 12. Mai 1998 distanzieren wir uns von Aussagen und Inhalten gelinkter Seiten.
If you would like to receive the German edition of the Perry Rhodan InfoTransmitter, please subscribe at the
following web page:
http://www.perry-rhodan.net
If you want to stop receiving the English edition of the Perry Rhodan InfoTransmitter, please unsubscribe at
the following web page:
http://perry-rhodan.us
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